Hour of the Wolverton

This is one of Basil Wolverton's apocalyptic illustrations for Herbert W. Armstrong's
1975 in Prophecy (1956). To read the entire booklet, click on the heading above and scroll down through the
Herbert W. Armstrong Searchable Library: Books and Booklets. Almost all of the Wolverton drawings for
1975 in Prophecy illustrate passages from
Revelations.
In the late 1950s and through the 1960s, Wolverton wrote and illustrated
The Bible Story and
The Story of Man for Armstrong's magazine,
The Plain Truth. In 1959 I used to listen to Armstrong's radio program,
The World Tomorrow, which interlinked Biblical prophecies with current news. When I learned that Wolverton illustrated for
The Plain Truth, I got on the mailing list, and free issues would arrive each month.
I just did a lot of searching to figure out exactly when
The Bible Story serial began. If you want to see this from the beginning, go to
Armstrong Searchable Library: The Plain Truth 1950-1959 and begin on
page five of the November 1958 issue. It starts with an introduction explaining how Wolverton became associated with Armstrong's organization.
Wolverton's son, Monte Wolverton, did eye-grabbing color versions of the
1975 in Prophecy illustrations which can be seen
here and also at
Monte Wolverton's own site.
Labels: apocalypse, illustration, novel, wolverton
Ripley Redux
Control click heading to hear excerpt from the audiobook of Patricia Highsmith's The Talented Mr. Ripley (1955) read by Michael Hayden.
This is a scene from
Purple Noon (1960), adapted from Patricia Highsmith's
The Talented Mr. Ripley. Below is the scene recreated for an advertising campaign by the South Korean firm Polham.

From 1942 to 1948, Highsmith scripted for comic books. She talks about her work for comic book publishers in
this 1987 interview. Having left the field, she got in a nice jab at the comics world in
The Talented Mr. Ripley when Ripley phones comic book artist Frederick Reddington (pages 14-16): "Tom had a hunch about Reddington. He was a comic-book artist. He probably didn't know whether he was coming or going." Labels: comics, highsmith, melvyn bragg, novel, reddington, ripley